Wednesday, 11 November 2015

Conventions of institutional Credits in Shank

Film I am analysing:



In reference to the opening scene of 'shank' there are several scenes that show a young boy from the age of around 15 getting chased by an older looking teenager on a motorbike, at high speed and great intensity. This opening scene may be in correlation with gang violence and mischievous behavior, as it looks as if the younger character got on the wrong side of the teenager on the motorbike. The use of music goes very well with the tempo of the chase, as the fast beat denotes the rapid atmosphere. The use of props are shown at the beginning of the opening, where there is a played footage of riots, and this shows people using base ball bats smashing police cars and causing trouble, this may indicate the raw BSR reality of violence in working class areas, as it is distinctively shown that this film revolves around working class characters. The costumes of the characters also suggest that these characters are of working class backgrounds as they are wearing baggy tracksuits and sports wear which may imply that they can not afford high fashion clothes. The opening scene shows the characters going through estates, this links back to the working class idea, that these characters are apart of the minority, which earn very little money and may live in broken homes.

Institutional logo:



This is an example of an institutional logo, under the production name of 'revolver entertainment' the use of the word revolver may connote the use of guns in the film as the revolver is a repeating firearm that has a revolving cylinder containing multiple chambers and at least one barrel for firing. The term "revolver" refers to a handgun, but other weapons may also have a revolving chamber. These include some models of grenade launchers, shotguns, and rifles. Also the way in which the logo comes up on the screen is in a spinning motion, this may link back to fact that the revolver handgun has a spinning chamber to place the bullets. Also the circle shape around the title 'revolver' may be shaped that way as it may be representing a bullet.
Example of typography:

Above we have an example of typography used in the opening scene and credits. The title 'Shank' is the initial production name of the film, and specifically the word 'shank' is a slang word used by most teenagers in working class parts of London, the word shank is mainly used as another term for 'knife' or 'weapon' which overall is denoted in this use of typography as you can see in between the letter 'A' there is a person holding a knife which connotes the violence and crime portrayed throughout the film. The use of that blurry background may connote and imply the dark gloomy atmosphere of the film and how the film suggests a shadowy feeling continuously throughout the film.



Here is another example of typography within the credits. This is showing the actors name ' Adam Deacon' In a black, shady/blurry text, with a white background and a graffiti looking image of the actual character himself. This graffiti image may connote the urban feel of the film, and how it is showing the BSR working class society, suggesting gangs, etc., as the illegal use of graffiti links in closely to gang vandalism in areas. Also the costume of the character is denoted as wearing a all black tracksuit and hat this connotes the typical gang member and troublemaker. The contrast between the white background and black typography may connote the darkness within the characters and how they stand out to other social classes. The color black is usually associated with death, so this may indicate possible future events containing death.





Monday, 9 November 2015

British Social Realism Films



London To Brighton

The main theme highlighted in this opening scene for the film is childhood. The beginning of the scene shows us clearly that the current time is 3:07am, this makes it evident to the viewer that the little girl shouldn't be up at such late times, but rather she should be safely asleep, this links back to the fact that childhood is based on staying safe without any worries and being innocent. This opening scene shows the viewer that the little girl is being exposed to violence and brutality. The daughter is left in a toilet cubicle waiting for her mum to return with food, this clearly is not a situation a young girl should be experiencing.




Fish Tank
The main theme underlined in this opening sequence is Aspiration and escape. When viewing the opening scene, the location is set in a council estate, as the main girl lives there. The opening scene shows the girl encountering a group of girls dancing and the main girl states that they are 'terrible dancers' this may suggest the girl herself is a talented dancer and she can prove her mischievous statement. This comes back to the theme of Aspiration and escape as the girl may be dreaming of escaping her working/ lower class life and achieve a greater quality of life, through the aspiration of dancing.




Bullet Boy 

The main theme shown throughout this trailer of the film 'Bullet Boy' is the theme of violence and crime. This is evidently highlighted through the scene of the armed police raiding the house and savagely pining down the protagonist. An other theme explored is corruption of youth, as the older brother involves himself in crime, and he influences his little brother into the wrong things. There is one scene where the little brother is scene to have found a gun, this emphasizes the corruption of youth as it shows that the little brother is being exposed to violent weapons.




Kidulthood

The main theme explored in this trailer for 'Kidulthood' is The corruption of youth, this is mainly due to the adult like, illegal activities these teenagers involve themselves in. at 0;11 you can clearly see at the beginning the teenage girl is smoking, this evidently shows the audience that the girl is indulging herself in these types of activities. Also at 0:23 this shows the two teenage girls consuming cocaine which is an illegal drug,  that can cause many consequences if consumed, which is something that teenagers should not find themselves even being able to get a hold of. Throughout the trailer and even full film, the young boys involve themselves in crime; thieving and causing havoc on the streets of London.




Nil By Mouth

The film 'Nil By Mouth' is notoriously known for showing some of the most shocking and abusive scenes ever known by British Social Realism Films. Clearly the theme and situation identified is domestic abuse. Ray Winstones character impels his wife with abusive language with great force and impact. Later on in the scene Ray's Jealousy, Ray Winstone starts to physically abuse his wife with immense strength and force causing his wife to experience drastic pain. The definition of Domestic violence (also domestic abuse, spousal abuse, intimate partner violence, battering or family violence) is a pattern of behaviour which involves violence or other abuse by one person against another in a domestic setting, such as in marriage or cohabitation. The daughter is seen at the top of the stairs witnessing this whole scene of abuse, and can be also relatively linked in with the corruption of youth,  As the daughter is exposed to mass violence, where in this instance she should be sleeping with no worries as to what is happening.

Production Log Week 4

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Sunday, 8 November 2015

BSR Timeline

New Page 1
SOCIAL REALISM TIMELINE
Decade
1950
1960
1970
1980
1990
2000
2010
Key film Look Back In Anger
(1959)
Poor Low
(1967
Bronco Bullfrog
(1970)
My beautiful laundrette
(1985)
Trainspotting
(1996)
Kidulthood
(2006)
Ill manors (2012)
conventions -Themes and situations: Dancing, music (jazz) may be relatively tantamount to clubs and bars of today.
-mundane clothing, nothing extra or extravagant, typically BSR. Characters mainly all white
–  Social class may be working class
-Location: Local club or bar
- Key focus is based on older male character rather than youths
- Urban city – Trains and lots of houses.
-Sound – Not much dialogue
-Strong Regional identity -Natural lighting – No special effects
-Editing is kept simple -Props are used a lot (all real-instruments)
-Themes and situations: main scene – bath scene washing man
-Woman and man arguing outside showing woman’s inferior persona
-Characters: male, female both white typical middle class characters.
- Sound: Dialogue: cockney accents
- No music used, focus on two main characters.
-Themes show bullying for the boy -Location and setting: Urban house – streets
-Lighting: naturalistic.
- Naturalistic lighting
- Mischievous youth
- Corruption of youth
- Drinking alcohol relatively the same as adulthood characters taking drugs.
- Working class romance
- 1970s Stratford city East London Urban
- Focus is on story of youths
- Gang violence alleyway scene
- Real settings-cafĂ©’s -strong accents
- Music is that of era
- Careless camera work
- Clothing is quite unadorned
- Dialogue: cockney accents
-Themes and situations: Dialogue between two characters in laundrette.
- Characters: one character is working class; the other seems to be middle class or upper class.
- Strong regional identity -filmed on location
- Clothing fits period (everyday clothing)
- Naturalistic lighting
- Dialogue is nothing intricate, just standard discussions
- Themes and situations: Drinking
– bar fight scene, hectic – large amount of swearing
- Chaotic -young adults used
- Typical British white men portrayed.
- Very strong regional identity, use of accents.
-Filmed on locations – Bar.
-typical circumstances that would occur in actual life (bar fight)
-natural lighting
-no extravagant editing
-clothing matches era
-clothes that general population would wear
-corruption of youth
- Teenagers causing trouble – Gets Gameboy back by breaking into Sam’s house.
- Characters: young teenagers from the age of around 15-16 - Diverse characters – multi racial: Black and white characters, different regional identities.
- Council Estate : working class -Typical music that teens of this era would listen too.
- Pace of music matches tempo of scene
-naturalistic lighting
-filmed in mundane locations -clothing depicts era
-music from era (grime)
-modern clothing
-drug abuse theme
-political racism
-filmed on locations
-corruption of youth
-natural lighting
-accents (regional identity)
-Unknown actors


In what ways has British Social Realism evolved
over the last sixty years??
British Social Realism has developed and evolved drastically over the last sixty years, from production design to themes and situations. Every little detail of British Social Realism films have changed and become significantly more generalised, with issues of today’s society. The recent BSR (British social Realism) Films are more focused on the youth, from ages of around 13 to 18, this is because in today’s society this is the main problem seen by the general public and government, that teens are becoming increasingly worst, this is seen through the footage of recent London riots and statistics. The themes used in today’s BSR films revolves more around drugs, and gang violence as again this is a contemporary issue, which wasn’t much of a problem 60 years ago. BSR films 60 years ago focused on a less gritty society and a more functional working society which may not even come across as working class.